![](http://www.martinacopley.com/media/pages/work/between-these-worlds-there-is-no-ordinary-continuity/88f93ba84a-1698052526/martinacopley-between-these-worlds-shinto-2016-300x-q70.jpg 300w, http://www.martinacopley.com/media/pages/work/between-these-worlds-there-is-no-ordinary-continuity/88f93ba84a-1698052526/martinacopley-between-these-worlds-shinto-2016-800x-q90.jpg 800w, http://www.martinacopley.com/media/pages/work/between-these-worlds-there-is-no-ordinary-continuity/88f93ba84a-1698052526/martinacopley-between-these-worlds-shinto-2016-1024x-q90.jpg 1024w, http://www.martinacopley.com/media/pages/work/between-these-worlds-there-is-no-ordinary-continuity/88f93ba84a-1698052526/martinacopley-between-these-worlds-shinto-2016-1440x-q90.jpg 1440w, http://www.martinacopley.com/media/pages/work/between-these-worlds-there-is-no-ordinary-continuity/88f93ba84a-1698052526/martinacopley-between-these-worlds-shinto-2016-2048x-q90.jpg 2048w)
Between these worlds there is no ordinary continuity, 2016. 4 track sound installation, 15:07mins looped.
Weaving fragments of ritual sound from field recordings of Soto Zen, Shinto ceremony, Japanese Noh theatre and Gagaku, the threaded sound-silence structure is shaped by thresholds and the attention to entry and exit points they demand and mark.
[Commissioned response to Chiharu Shiota’s The Home Within, Melbourne Festival, 2016. Curators Anabelle Lacroix + Anais Lellouche. Technical assistance Daniel Jenatsch. Presented with Anna Schwartz Gallery; The movement of the aside, Victorian College of the Arts, University of Melbourne 2018]