The movement of the aside, 2018
The movement of the aside, 2018
<p><em>The movement of the aside,</em> Victorian College of the Arts, University of Melbourne, 2018. Photograph Christian Capurro</p>

The movement of the aside, Victorian College of the Arts, University of Melbourne, 2018. Photograph Christian Capurro

<p><em>I was reader now (E.D)</em>, 2015-2017. Graphite on trace paper, paper, ink, 11 pages, 27.9 x 21cm each Annotations by readers of publications of poems by Emily Dickinson sourced from Australian public libraries. Photograph Christian Capurro</p>

I was reader now (E.D), 2015-2017. Graphite on trace paper, paper, ink, 11 pages, 27.9 x 21cm each Annotations by readers of publications of poems by Emily Dickinson sourced from Australian public libraries. Photograph Christian Capurro

<p><em>song of an unseen bird</em>, 2015 & 2017. Hand cast aluminium, dimensions various. Photograph Christian Capurro</p>

song of an unseen bird, 2015 & 2017. Hand cast aluminium, dimensions various. Photograph Christian Capurro

<p><em>Wallace Stevens' ‘Description Without Place’</em>,  2018. Perspex vitrine, paper, graphite, colour pencil, ink, tape, post it note, correction fluid, paint 10 pages, 84 x 65 x 8cm vitrine</p>

Wallace Stevens' ‘Description Without Place’, 2018. Perspex vitrine, paper, graphite, colour pencil, ink, tape, post it note, correction fluid, paint 10 pages, 84 x 65 x 8cm vitrine

<p><em>Yellow painting</em>, 2018. Remnant silk, cotton, thread, 30 x 72cm, folded 26 x 14 x 5cm </p>

Yellow painting, 2018. Remnant silk, cotton, thread, 30 x 72cm, folded 26 x 14 x 5cm

<p><em>No Notes (This is writing)</em>, 2015-17 with Francesca Rendle-Short. 152 pages + cover + gate fold wrap, closed 15 x 8cm Composed directly onto an iPhone 5S Notes app. using keyboard and fingers.</p>

No Notes (This is writing), 2015-17 with Francesca Rendle-Short. 152 pages + cover + gate fold wrap, closed 15 x 8cm Composed directly onto an iPhone 5S Notes app. using keyboard and fingers.

<p><em>The Japanese closes his eyes, lowers his head, and sinks into a long reflection. The Inquirer waits until his guest resumes the conversation</em>. 2015 HD video, stereo sound, monitor 4.23min Japanese translation & voice by Christine Natsumi.</p>

The Japanese closes his eyes, lowers his head, and sinks into a long reflection. The Inquirer waits until his guest resumes the conversation. 2015 HD video, stereo sound, monitor 4.23min Japanese translation & voice by Christine Natsumi.

<p><em>The Blind Task of Sleep (mere listening)</em>, 2015. HD video from super 8 film, silent, 01:54min</p>

The Blind Task of Sleep (mere listening), 2015. HD video from super 8 film, silent, 01:54min

<p><em>selected hanging drafts</em>, 2015-2018. Stacked digital prints on paper from re-photographed / photocopied prints on paper, 119 x 84.5cm each</p>

selected hanging drafts, 2015-2018. Stacked digital prints on paper from re-photographed / photocopied prints on paper, 119 x 84.5cm each

<p><em>Die lebensfreude (sic)</em>, 2014. Transfer on wood veneer, 17.5 x 10cm</p>

Die lebensfreude (sic), 2014. Transfer on wood veneer, 17.5 x 10cm

<p><em>Lovers (instrument)</em>, 2014. Brass tube, spring steel music wire, 10 & 20mm round silver bells 50 x 21 x 2cm each </p>

Lovers (instrument), 2014. Brass tube, spring steel music wire, 10 & 20mm round silver bells 50 x 21 x 2cm each

<p><em>Enlightenment (drop curtain)</em>, 2018. Hand sewn from remnant kimono silk, cotton, 365 x 448cm. <em>Between these worlds there is no ordinary continuity</em>, 2016. Mono sound, speaker, mp4 player, 15:07min. Photograph Christian Capurro</p>

Enlightenment (drop curtain), 2018. Hand sewn from remnant kimono silk, cotton, 365 x 448cm. Between these worlds there is no ordinary continuity, 2016. Mono sound, speaker, mp4 player, 15:07min. Photograph Christian Capurro

The movement of the aside, Victorian College of the Arts, University of Melbourne, 2018 Sound and moving image documentation of doctorate exhibition, 3:11min. Photographs Christian Capurro and the artist.